If a sub-genre in comedy known as abstract-hyper-sexual-crude-comedy existed, “Movie 43” would win the Oscar. “Movie 43” is essentially a series of vignettes one story after another with little to no relation. These scenes, all of which have a different director, are loosely connected by one sporadic, but linear plot.

Dennis Quaid plays a desperate screenwriter who has one final pitch to sell his ultimate script. The film unfolds in the form of notes and ideas Quaid’s character has developed. The narrative twists and turns in real time between Quaid and the unfortunate film executive to whom he is pitching his idea. The comedic content of this film is unique. It ranges from satirical takes on high school, incest and romantic relationships, to relationship intimacies and problems with roommates.

There was a feeling of inconsistency and randomness throughout the whole movie, but consistency in its nonsensical style of humor. If you find yourself wondering if it’s OK to laugh, then it’s probably OK to laugh. If you are one discomforted by societal taboos this is the perfect film to challenge yourself with.

It takes practically every oddity a person can imagine and finds humor in them. Enter the theater with caution and be aware that Peter Farrelly wastes no time in setting the tone. The opening scene does so extremely well in preparing you for the ludicrousness you’re about to experience. Along with the hysterics comes a colorful cast to ease you into acceptance and laughter.

Blatant but humorous, “Movie 43” is excellent for those into fast paced sketch comedy, or would like to see societal taboos broken. That being said, those who find themselves uncomfortable around this sort of humor should beware.